dance lettering - machine embroidery design, pointe embroidery, ballet embroidery

SKU: EN-O20245

dance lettering - machine embroidery design, pointe embroidery, ballet embroidery

dance lettering - machine embroidery design, pointe embroidery, ballet embroidery

Details: 8 p.m.; $35-$38; 510-644-2020, thefreight.org. 7 The Flaming Lips: Wayne Coyne, frontman for this Oklahoma art-rock band, has somehow managed to fashion himself as the world’s strangest rock star, and not just because he’s major buds with Miley Cyrus. The band’s sound has been embraced as wildly creative and derided as painfully precious. Its shows have been known to feature Coyne performing in a large plastic bubble and people crowding the stage in crazy costumes. The Lips are touring behind the new album “Oczy Mlody” and come to Oakland’s Fox Theater May 10. Klangstof opens.

What is it about Cuba that makes reasonable people take leave of their senses? The United States maintained full diplomatic relations with the Soviet Union throughout the Cold War, Richard Nixon and Henry Kissinger, hardly a couple of peaceniks, opened the door to China, History argues powerfully for engagement as dance lettering - machine embroidery design, pointe embroidery, ballet embroidery the best way to deal with repressive, adversarial regimes, Yet hard-liners insist Cuba must be treated differently, Visiting the island might change some minds, I went to Cuba 10 times between 2000 and 2004 while researching a book, “Last Dance in Havana.” Each trip gave me more regard for the Cuban people — and less for the Castro regime..

While the chemistry between Bowles and Clifford Bradshaw (Lee Aaron Rosen) wasn’t great, it’s hard to go wrong with Joe Masteroff’s seductive masterpiece, anchored by the Kit Kat Klub’s ingratiating Emcee (finely performed by Randy Harrison). Giving the show its emotional core is the touching relationship between Fraulein Schneider and Herr Schultz (nicely done by Shannon Cochran and Mark Nelson). This “Cabaret” strips the show to its core, presenting a raw look into Berliners who think the party will never end and Jews who think the danger will pass.

The exhibit isn’t dance lettering - machine embroidery design, pointe embroidery, ballet embroidery confined by the 25-year time period that the title suggests, It begins with an intriguing display of German design from earlier in the 20th century, with bold graphics and sleek machine-age furniture, The one oddity is a delicate, antique-looking brass teapot, designed by Peter Behrens, What’s it doing here? It’s a 1908 electric teapot, (Later in the exhibit, there’s a convulsive “Atomic” espresso maker, designed right after World War II.), Corporate and industrial design really took off with international marketing after the war, using some wartime technology, Those were boom years for designers, although the exhibit text notes that they and the business managers “both needed but never totally trusted each other.”..

“There is a magnetic quality to the dance,” she adds. She hopes the audience feels a spiritual awakening as well. The arangetram, says Shankar, means the dancers “have reached a certain level of competence. It is not the end of the journey.” Both dancers say they will continue with advanced classes and perhaps even assist with teaching as well as stay connected. “My hope is to build a bridge between the east and west (through dance),” says Bindu and she says she hopes “non-Indians come and check it out.” “If yoga is so easily embraced by the Western culture, then so can this dance form,” she adds. “Come with an open mind, and come and explore it,” she says.


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